An avant-garde manifesto that reviews avant-garde manifestos of the past hundred years, it was taped to the front door of the Institute of Contemporary Arts in London in April A manifesto on filmmaking written by former Stuckist painter, photographer and filmmaker Jesse Richards that like the closely related Remodernism manifesto, calls for a "new spirituality", but in this instance, in relation to cinema. The manifesto proclaims a spiritual film to be "not about religion. It is cinema concerned with humanity and an understanding of the simple truths and moments of humanity.
Spiritual film is really ALL about these moments". Point 4 of the manifesto discusses Japanese aesthetics in relation to the idea of Remodernist film : "The Japanese ideas of wabi-sabi the beauty of imperfection and mono no aware the awareness of the transience of things and the bittersweet feelings that accompany their passing , have the ability to show the truth of existence, and should always be considered when making the remodernist film". The manifesto also criticizes filmmakers that shoot on video, arguing that film, particularly Super-8 film "has a rawness, and an ability to capture the poetic essence of life, that video has never been able to accomplish" and also criticizes Stanley Kubrick 's work, as being "dishonest and boring", as well as Dogme 95 's "pretentious checkist" of rules.
Instead, the Remodernist film philosophy seems to be somewhat anti-ego, with Richards noting that "this manifesto should be viewed only as a collection of ideas and hints whose author may be mocked and insulted at will". The manifesto was recently translated into Turkish and published by the film website Bakiniz, and is being translated into Polish and published by the Polish underground art and culture magazine, RED.
This manifesto was written by the South African conceptual artist Conrad Bo , who believes the Superstroke Art Movement is the first internationally known art movement in Africa since the Fook Island art movement started by Walter Battiss.
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The manifesto is quite specific in what the Superstroke Art Movement want to achieve. Superstroke is short for the super expressive brush stroke. Paintings should be executed using expressive even violent brush strokes on at least some part of the picture. Should a photograph be used for a figurative painting, the objection should not be Photorealism, but Expressionism.
If mediums such as pen, pencil, etc. Paintings can be executed in both the abstract and figurative. Subject matters such as Africa, light, dark, life and death are encouraged. Collage, Stencil and Calligraphy may be used for impact. The concept, Art for the sake of art, does not apply in Superstroke. In Superstroke it is art for the sake of Superstroke, as the artist must always strive for paintings rich in texture, or excessive brush or pencil strokes.
The antipodean manifesto: essays in art and history - Bernard Smith - Google книги
The Metamodernist Manifesto was written by artist Luke Turner as "an exercise in simultaneously defining and embodying the metamodern spirit. From Wikipedia, the free encyclopedia. Main article: Futurist Manifesto. Main article: Du "Cubisme". Main article: The Art of Noises. Main article: Surrealist Manifesto. Retrieved April 3, Retrieved June 11, Retrieved April 7, Retrieved June 24, May 17, Yves Klein Archives. Archived from the original on January 15, Retrieved September 16, Artist Statements. Northeastern University. Archived from the original on March 8, Jewish Culture News. Archived from the original on February 20, October 13, New York Times.
April 7, Archived from the original on April 26, Archived from the original on March 26, Archived from the original PDF on May 12, Archived from the original on February 4, Archived from the original on February 6, Archived from the original on July 10, International Association of Astronomical Artists. Archived from the original on September 21, Retrieved September 15, Archived from the original on August 15, The European Graduate School.
Retrieved April 8, Archived from the original on May 29, Michael Betancourt. Retrieved July 19, Archived from the original on August 8, Retrieved August 21, February 16, A Stuckist on Stuckism. Essay from: Ed.
Tate archive catalogue. Retrieved July 13, March 9, Stuck in L. December 17, Retrieved April 13, Archived from the original on November 29, Retrieved November 21, Retrieved February 8, Archived from the original on December 19, Archived from the original PDF on June 15, Retrieved November 22, January 10, August 28, The Herald. August 8, The Fader. Retrieved August 25, Tank : Co-Art: Artists on Creative Collaboration.
Phaidon Press. July 11, Visual arts and the art world. Timeline of art Art history academic study Art manifesto Art movements Criticism History of painting. In the now internationally known art movement Stuckism was founded, which among other preceding art movements draws on the principles of The Antipodeans. From Wikipedia, the free encyclopedia.
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For other uses, see Antipodean disambiguation. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Retrieved Categories : Art movements Australian art Australian artist groups and collectives.
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There are earlier editions and these are worth checking for individual artists who may have dropped out of the latest edition. This provides basic biographical information on those artists represented in public galleries prior to Second edition The edition lists over printmakers with biographies, exhibition details, etc, and the edition lists entries and is illustrated.
Women artists exhibiting around the time of publication. Australian women artits are listed in alphabetical order. Extremely useful for the lists of newspaper reviews of their exhibitions. Alphabetical listing of sculptors with biographical information which often includes reviews and other primary sources. Hundreds of names of obscure artists are listed, together with the date of joining, or first exhibiting with, the Society. This lists students and teachers but does not claim to be complete.
This includes brief biographies of nine teachers but, more importantly, it lists students enrolled from and also prize winners in the various schools.
The antipodean manifesto : essays in art and history
Alphabetical index of all artists whose work is illustrated in Art in Australia — published between and — together with the titles of works illustrated. Includes biographies of exhibiting artists. Keith Bradbury and Glenn R. Includes an extensive chronology. Edward D. Craig, Australian Art Auction Records, vol.
Also online, see below. I estimate that over essays are listed. It may be possible that other university art history departments have such listings.
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Access to the actual essays may well be restricted. An essential record of images and information. Catalogues of works and sources of Australian portraiture, Eureka Research, Not infallible but essential when researching colonial portraits. The first publication dedicated to the colonial period and very interesting for that reason. National Australia Bank calendars.
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